"We tell ourselves stories in order to live... We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience." -- Joan Didion, The White Album
Everywhere I travel people ask me the same question: "Why did you come here?" I've yet to provide a good answer.
Try as I might, I cannot come up with a coherent explanation for my
desire to wander aimlessly through eastern and central Europe with no direction
except that derived from a listless curiosity, restless feet, a skyscanner app,
and access to a map of the world.
It was a Tuesday and my sister’s birthday and I was in Sweden, 200km
west of Stockholm in the sleepy township of Palsboda, 20 minutes from Orebro. Leaving
Krakow for Warsaw for a flight for which I arrived far too early, the baggage
took more time to appear for claim than consciousness held me on the plane.
As Julius Caesar allegedly triumphed “Veni, vidi, vici,” the Swedish
exclaim “Villa, Volvo, vovve.” House, Volvo, doggie. This is the Swedish dream.
Oddly or admirably fixated on the notion of settling down, starting a family,
and nesting against the winter cold, the Swedish life modus operandi is one
that terrifies the traveling youth. Nonetheless, the impulse is such that
staying with locals and meeting their families results in some truly awkward
moments as they immediately survey you as a potential life-mate and factory of
future progeny, when all you really want to do is pick up the USB internet plug.
Similarly, a lift to the nearest bus station can turn into a
family-visit extravaganza as similarly en route is a party at which they are
expected. So I found myself one chilly afternoon in Orebro’s most ecologically
sustainable villa, one run exclusively by the raging elements of wind and sun.
The house of the sister and one also home to Titus, a baby Swede with whom I
briefly exchanged pleasantries, so naïve to the local tongue that I
misunderstood the lyrical meanderings of a toddler for Swedish and kept looking
around for a translation. Playing already with a plastic kitchenette set, the
domestication starts early here.
Drinking peach ciders in the car driven by the brother, “Filip, do you
want to come with us tonight?”
(In Swedish) “I don’t want to
come with you, but I do want to come tonight.”
We pulled up at an apartment building behind an ICA, the local
supermarket chain of this part of regional Sweden, or so I imagine. The snow
had relented, but the chill was still penetrating. Five storeys of anxious
stairs later it was another situation into which I had somehow appeared and for
which I had no faculty to anticipate or process; no bearing upon which to base
my comprehension. How I ended up here was beyond my ken, so the situation was
out of grasp.
I like to think this is a good state of mind for travelling,
functioning as if the world itself is born anew every minute before my blinking
eyes.
The door opened to a shrieking blonde, a high table surrounded by
stools seating three others and altogether too much alcohol for such. A white
and cream one bedroom apartment with a commanding view of snow-capped
Orebro.
One fifth of the living space was taken up by a hair covered cat
play-tower, the denizen of which prowled imperiously around it like the Emperor
in his new clothes.
Shaved to a poodle, the once proud Hampus (pronounced Ham-puss) had been
reduced to an irresistibly amusing plaything. Mewling with determination, he
ignored the giggling with the appropriate aloofness for a cat of noble bearing.
It was here I also met Magnus and Karin, two twenty-one year olds
engaged and very much in tune with the villa Volvo, vovve philosophy.
Indeed, similarly important to the house, car and doggie is tacos.
Tacos I hear you ask? In Sweden? Supermarkets have significant sections
dedicated to the taco. Special cheese combinations, numerous wrap and shell
varieties—all so that the Swedish nuclear family can gather about the TV on
Friday night, watch Swedish Idol and consume those most delicious exports from
south of the border, down Mexico way.
Similarly food-centric is the fika, a Swedish way of saying let’s have
coffee, some eats, and a chat. I enjoyed a fika first in a sprawling mall,
opting in this case for a semla with my coffee. A cream and marzipan
filled donut type arrangement dusted liberally with icing sugar, the correct
process for the eating of which requires consuming the daintily anointed lid
before engaging more directly with the fat soaked sponge.
Fika was part of a crash course in Swedish culture, a journey that
began in IKEA, a company of which the Swedish are proud of completely without
irony. There is a certain sombre focus that one can observe as you follow the
carefully guided path through flat-pack heaven when there purely for cultural
purposes; the chin-stroking intensity of those pondering which aesthetics of an
arm chair best reflect their personality, but which must also be practical
enough to be the resting place of their buttocks for moons to come.
At every supermarket there are walls of pick and mix candy. But for the
real thing you must go to a candy store at which the geometric maze of plastic
containers with numberless riffs of sugar and chocolate are tantalising but for
once not terrifying, the dilemma of choice easily assuaged by ample use of the
plastic scoop and a preparedness for excessive consumption all in the name of
cultural exploration. Swedish candy is very salty.
Rashly booked cheap flights always come back to haunt. Flying out of
Stockholm Skavsta at 7.20am when I was staying two hours’ worth of car ride
away was not a solid plan. So the odyssey of my airport nostos involved two
buses, three sandwiches composed on a bus station bench (as I danced
deliriously to tunes mainlined to my brain through sheer volume in order to
pretend that I wasn’t stuck outside in -3 degrees plus wind chill for another
half hour) and a pleasant night’s rest on four curiously curved chairs in the
Stockholm Skavsta airport café as the floor buffer hummed tunelessly around me.
Lying under the yellow halogen I pondered the disparity of ergonomic
comfort for the backside and the back, a difference ironically underscored by
the zeugmatic similarity of lettering. Thoughts that seemed coherent if not
faintly witty but on a reflection my brain was incapable of making, most
certainly not.
The fitful waking of paranoia and I’d grasp at my bag like a child
reaching for its mother, my means of continued survival all in one stained
place.
In that interzone of cognitive function I boarded the plane, passed
out, and woke up in Berlin.
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